Showing posts with label baseball. Show all posts
Showing posts with label baseball. Show all posts

Friday, July 08, 2011

Death at the Ballpark: The national pastime's shocking death toll. - By Jon Mooallem - Slate Magazine

On Thursday night, a 39-year-old Texas Rangers fan fell to his death from the outfield bleachers after catching a ball tossed his way by outfielder Josh Hamilton. As Jon Mooallem explained in 2009, there's a long history of tragic deaths at American ballparks. The original piece is reprinted below.

Josh Hamilton of the Texas Rangers (click to expand)

I caught a foul ball once. Sort of. It was in the fall of 1998, at Coors Field in Denver, and I was sitting on the third-base side. The ball blazed over my head, then thudded into a woman's left breast a few rows back. A second later, it shot out from under my seat and rolled into my foot, as though it had just finished a trip through the interior of a miniature golf course obstacle. I reached down and picked it up.

I did the whole ecstatic exercise. I held the ball over my head. I turned right, then left, showing off my trophy. Then I caught sight of the woman behind me. A small crowd of loved ones and wincing strangers had huddled around her. I decided the only gentlemanly thing to do was to toss her the ball. But I had to wait a moment, until she straightened up and stopped moaning.

Related in Slate
Timothy Noah found that other forms of leisure can be dangerous as well. David Roth described how even fantasy baseball can be damaging, if only to one's mental health. Josh Levin explained why baseball itself is, by definition, perpetually dying.

The typical baseball game sends 35 to 40 of these projectiles into the stands, some of them rocketing in at upward of 100 miles per hour. But it was a nice night for baseball in Denver, and so, for five or six more innings, even as the foul balls kept being popped, poked, lined, and ripped into the seats around me, I just sat there, blanketed by all the warm feelings our national pastime inspires. Even then, it never occurred to me that, as the introduction to a strange recent book puts it, "baseball is sometimes lethal."

Death at the Ballpark: A Comprehensive Study of Game-Related Fatalities, 1862-2007 is an impeccably sourced compendium of the men, women, and children who have died or been fatally injured while playing, officiating, or watching baseball in the United States. Its authors, Robert M. Gorman and David Weeks, two librarians and baseball historians at Winthrop University in South Carolina, have spent the last eight years scouring local-newspaper archives (sample search terms: "baseball and death" and "baseball and killed") for examples, in some cases going so far as to track down death certificates to confirm their results.

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Given the fetish for statistics in baseball, it was probably inevitable that someone would get around to recording this, too: the number of people baseball has rendered incapable of generating more statistics. Gorman told me he was drawn into this morbid line of research after stumbling across the death of a minor leaguer named Herb Gorman. ("He had my last name. It kind of piqued my interest.") Neither Gorman nor Weeks had ever really thought about baseball as a deadly activity before, and, Gorman told me, after publishing two preliminary articles—one on beaning fatalities and another on fan fatalities at major league stadiums—"we thought maybe we'd exhausted whatever was out there." They were very wrong. They chronicled 850 baseball deaths in Death at the Ballpark, spanning professional, amateur, Little League, and even backyard pickup games. And though the book purports to be comprehensive, readers have already tipped them off to about 50 incidents they missed.

The authors say their aim was to "raise awareness" about baseball's many dangers, but there aren't any recommendations for making the sport safer here, no real signs of impassioned outrage, and no warnings to suburban parents about aluminum bats. Death at the Ballpark is fundamentally a reference book—a list carefully organized into categories like "Thrown Ball Fatalities, Amateur Fatalities—Position Players" and "Thrown Ball Fatalities, Amateur Fatalities—Baserunners." Often, however, the authors pause for a half-page to narrate a death in noirlike detail. The opening paragraph of one entry ominously begins, "Patrick J. McTavey, 38, worked home plate during a heated semipro championship game on Long Island, NY, on September 26, 1927," and ends: "It was the last call he ever made."

It's weirdly moving, if not exactly consoling, to learn just how many of baseball's casualties made the play before expiring. There's the amateur shortstop who, in 1902, caught a bad hop in the throat and used his last moments to throw out the runner at first. The third baseman in an Indiana league who, in 1909, tagged out the runner plowing headfirst into his gut, then succumbed to the resulting internal injuries three days later. There's just something about baseball that inspires a kind of heroic resolve. John McSherry, the major league umpire who collapsed at Cincinnati's Riverfront Stadium in 1996, had actually postponed treatment for the heart condition that felled him so he could call the game.* It was Opening Day.

All the old romantic baseball tropes turn up again and again in Death at the Ballpark. But the effect is haunting, since here each is mercilessly punctuated with a death. There's the aging minor leaguer, battling his way back to the majors after a couple of stints in the show—except that Millard Fillmore "Dixie" Howell, who played in the White Sox farm system in the '50s, never gets called up again and dies of a heart attack instead. A few incidents are such ruthless perversions of our shared baseball idylls that it's as if Roman Polanski had recut Field of Dreams. One July night in a backyard in Houston in 1950, a 7-year-old boy asks if he can throw his dad one more pitch before heading inside. The father says OK. The son pitches. Then the father swings and connects, inadvertently "striking his son over the heart." The son dies before they can make it to the hospital.

There's no underestimating baseball's versatile capacity for killing us. Late Commissioner A. Bartlett Giamatti famously wrote that baseball "is designed to break your heart," and the statement takes on new meaning reading Death at the Ballpark, particularly Gorman and Weeks' section on commotio cordis, or concussions of the heart. A commotio cordis can be brought about only by getting struck at a particular place in the chest at the exact moment between heartbeats. And yet it manages to dispatch several pages' worth of victims.

Fatal fastballs to the head, meanwhile, aren't nearly as common as you'd expect. In the past 150 years, only one fan at a major league baseball game has been killed by a foul ball—a 14-year-old in Los Angeles named Alan Fish. The liner that fractured Fish's skull came off the bat of Dodger pinch-hitting specialist Manny Mota, whose own teenage nephew would be killed 14 years later while playing shortstop in New York—a coincidence Gorman and Weeks don't stop to note. Mota's nephew, a high-schooler, was struck by lightning as he stood in the field, five minutes after the umpire announced he was going to call the game at the end of the inning.

Lightning is another improbably frequent killer (though perhaps it's less improbable when you consider that baseball is played in summer, typically on flat fields surrounded by metal bleachers and fences). During a 1949 amateur game in Florida, the third baseman, shortstop, and second baseman were all killed by a single lightning bolt, which struck the backstop, then shot around the infield as though completing a double play.

The grim catalog rolls on. A semipro pitcher in Cincinnati is "struck simultaneously on the head by both a thrown and batted ball while warming up before a game." Pickup games played on improvised fields lead to outfielders chasing balls into the paths of cars, buses, trains, and, in one case, a hearse. At Ebbets Field in 1950, a man slumps over in his seat, shot through the back of his head by—it only becomes clear after days of police work—a teenager who was fooling around with a rifle on the roof of his apartment building several hundred yards away and with no clear line of sight.

Then there's a story Gorman and Weeks had both heard versions of but always assumed was apocryphal until they ran down a local newspaper account confirming it: In Morristown, Ohio, in 1902, one man asks another if he can borrow his penknife so he can sharpen the pencil he's using to keep score. The second man hands his penknife to the guy seated between them, named Stanton Walker, and asks Walker to pass it on. At that exact moment, a foul ball whaps Walker on the wrist, and he stabs himself.

Still, in the end, you could choose to see something slightly uplifting about the sheer volume of these freak and incomprehensible accidents. Take it as an indicator of just how much time Americans have spent on and around baseball fields over the last century and a half—of what baseball means to us. We've managed to die on the diamond in so many crazy ways only because it's one of the places we've done the most living. We've all been shagging flies in that minefield together.

Gorman told me that, while working on the book, he himself got smacked square in the forehead by a foul ball at a Triple A Game in Charlotte, N.C. "And my wife, she got hit in an odd way!" he added, almost as an afterthought. Then he launched into another story, about another game, on another night.

Correction, May 26, 2009: This piece originally and incorrectly stated that John McSherry collapsed while umpiring a game in St. Louis. It was in Cincinnati. (Return to the corrected sentence.)

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Jon Mooallem, a contributing writer to the New York Times Magazine, lives in San Francisco.
Photo by Rick Yeatts/Getty Images.

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Scary facts about our National Pastime, and it doesn't even count how many fans the Chicago Cubs have killed (or at least shortened their lives) by playing the way they do. Thanks to Slate.com for sharing.

Posted via email from Mark Edwards 3.0

Tuesday, June 14, 2011

It’s time for fans to recognize that Wrigley Field really IS a dump - Chicago Sun-Times

It’s time for fans to recognize that Wrigley Field really IS a dump

RICK MORRISSEY rmorrissey@suntimes.com June 13, 2011 9:46PM

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    Wrigley Field beckons fans before the Chicago Cubs vs. Milwaukee Brewers MLB game Monday June 13, 2011 at Wrigley Field. | Tom Cruze~Sun-Times

    Article Extras

    Updated: June 14, 2011 2:09AM

    It was an interesting word choice. A “dump” is what MLB Network analyst Peter Gammons called Wrigley Field last week.

    The description seemed vaguely familiar. Maybe it seemed vaguely familiar because of the scorch marks I still have from using that very word to describe the ballpark.

    This was how I started a column on July 23, 2004, seven years and one newspaper ago:

    “Wrigley Field is a dump. It’s a dump with great views, lots of liquid refreshment and sporadic professional baseball, but it’s still a dump.’’

    Those words were written after chunks of concrete had fallen from underneath the upper deck and mezzanine levels at the park, but as I pointed out, it was a dump well ­before that. And even after the Cubs put up netting to keep the concrete in place, making it look like the rigging of a pirate ship, it was still a dump.

    The reaction resembled a flamethrower. Wrigley was a shrine, Wrigley was a cathedral and Morrissey was a jerk. All of that might have been true. But none of it could change the fact that Wrigley was a cathedral masquerading as a dump. There were narrow concourses, rust and odors that hinted of things better left unconsidered.

    Seven years later, not much has changed. The netting is still there. It’s a cleaner ballpark than it was in 2004. The bathrooms are nicer than they used to be, or, in the case of the men’s room, as nice as troughs can be. But there’s still rust, the concourses still resemble dark alleys and people still have to elbow their way to their seats.

    A few coats of paint can’t change any of that.

    Fans are catching on

    Oh, there’s at least one big change: Public opinion seems to be shifting. More people appear to be coming around to the idea that Wrigley is a crumbling mausoleum where baseball dreams go to die. Go online to some of the message boards about the Cubs, and you’ll see a healthy discussion about the 97-year-old ballpark. There’s as much talk about uncomfortable seats and tight quarters as there is about fond memories.

    Season after season of disappointment have opened fans’ eyes to the emperor’s buck nakedness. No one can be sure exactly when the epiphany arrived, but it might have started in 2003, when the Cubs were five outs away from going to the World Series and — stop me if you’ve heard this — fell apart.

    Anger began replacing cheery acceptance. Fans started slathering themselves in high expectations rather than suntan lotion. And what had been considered a graceful building began to be viewed more soberly, despite the heavy intake of booze.

    The best thing about Wrigley is the ivy on the outfield walls and the hand-operated scoreboard towering over center field. You can have the rest of it. It’s a great park when you’re looking at the field from your seat. It’s not so great on the way to and from your seat.

    Gammons turns on spotlight

    That Gammons is saying it now has grabbed the attention of a lot of people, including White Sox manager Ozzie Guillen, who has taken great pleasure over the years in ripping the park’s small clubhouses and tweaking Cubs fans while he was at it.

    Gammons wasn’t necessarily speaking for Cubs chairman Tom Ricketts, but what he said is something any reasonable owner would be thinking. Publicly, a reasonable owner would say Wrigley is a charming ballpark in need of loving renovations. Privately, you might hear a reasonable owner utter the word “dump” now and then.

    “Obviously, we love Wrigley Field,’’ general manager Jim Hendry said Monday before the Cubs faced the Brewers. “Nobody wants the field to be any different, or the ambiance of the great atmosphere here.

    “But I don’t think it’s any secret the plans that Tom and his family have to enlighten the facilities and make it better for fans, but also make it better for the players and more productive for the players. I think that’s going to be taken care of the next few years.’’

    The Ricketts family didn’t get many favors from the previous owners, who put about as much effort into keeping up Wrigley as they did into keeping up Stonehenge. There is plenty of work to be done and revenue streams to be explored.

    But that’s all secondary now.

    The Cubs have bigger problems on the field, though Hendry said Monday he sees a bright future for the team. People aren’t buying it. The attendance has been shrinking, a stunning development at a place used to sellouts. The team’s fan base has become much more demanding. No matter how uncomfortable the seats at Wrigley might be, the lack of a winning product is a bigger burr in fans’ saddle.

    Wrigley Field is a dump. The baseball played on it is an eyesore. The latter is the real shame.

    Copyright " yr " Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

    Even I, the self-proclaimed "Biggest Cub Fan In Missouri" (or Kansas) agree with this article, especially the last paragraph. We've ALWAYS known Wrigley is a dump, I've known it for over 40 years. But the dreams, the hopes of a miracle of some sort, have helped to mask the reality of the situation.

    I remember sitting at the one playoff game the team played at Wrigley a few years ago and looking at the rusting beams supporting the Upper Deck of the "Shrine Of Baseball". With my heroes self-destructing on the field, I could see the ballpark self-destructing as well. A fresh coat of paint, a new owner as impudent as the old owner, and the same crappy baseball on he field won't fix any of these problems.

    I've been going to Cubs games for at least 48 years, and I've been a fan since birth. My father was a Cubs fan, my Grandfather was a Cubs fan, and I'm both proud and ashamed to admit that I'm a Cubs fan. But I'm getting fed up with the team and the attitude of the people who own it.

    Now the only thing I look forward to seeing at The Friendly Confines Of Wrigley Field is Paul McCartney in July.

    Posted via email from Mark Edwards 3.0

    Wednesday, April 06, 2011

    "Take Me Out to the Ball Game" to be preserved at the Library of Congress | cubs.com: News

    "Take Me Out to the Ball Game," the traditional sing-along anthem that pays homage to a day at the ballpark during seventh-inning stretches across the Major Leagues, received a high honor on Wednesday.
    The 1908 tune will be preserved at the Library of Congress, along with 24 other recordings chosen for their cultural significance, the library announced.
    The library annually selects 25 recordings that are deemed to be "culturally, historically, or aesthetically significant" to be preserved, and digitizes the recordings for long-term preservation. A recording must be at least 10 years old to qualify.

    Other recordings selected include Tammy Wynette's 1968 hit "Stand By Your Man" and Al Green's "Let's Stay Together" from 1971. Performances by Nat King Cole, Les Paul, Blind Willie Johnson and Steely Dan also made the list, while hip-hip trio De La Soul's 1993 debut album "3 Feet High and Rising," was among the newer selections.
    The first recording of contemporary stand-up comedy, an unauthorized recording of comedian Mort Sahl from 1955, a sermon from Aretha Franklin's father and Henry Mancini's theme for 1950s television detective drama "Peter Gunn" were also selected.
    "Songs, words and the natural sounds of the world that we live in have been captured on one of the most perishable of all of our art media," said James H. Billington, librarian of congress
    "Take Me Out to the Ball Game" was written by vaudeville star Jack Norworth, who was inspired by seeing an advertisement for baseball at the Polo Grounds, home of the New York Giants, while on a subway. The words were set to music by Albert Von Tilzer and the song was originally performed by singer Edward Meeker. Neither Norworth nor Von Tilzer had attended a baseball game, and neither did so for another three decades.
    Late Cubs broadcaster Harry Caray's rendition of the tune became synonymous with afternoons at Chicago's Wrigley Field, as he would sing parts of the tune and hold his microphone out to fans to sing the others.
    Caray's first public performance came as a surprise to the Chicago legend. Broadcasting for the White Sox, Caray would sing the tune in the radio booth during every seventh-inning stretch, and one day, WMAQ radio producer and broadcaster Jay Scott decided to open the booth microphones without Caray's knowledge. The song was played on an organ at Caray's funeral in 1998.
    Celebrities and other prominent figures have continued Caray's tradition of singing "Take Me Out to the Ball Game" to the crowd during each game at Wrigley Field. The Library of Congress called the song the "unofficial national anthem of America's national pastime."
    The ninth-annual National Recording Registry of the Library of Congress selections:
    1. Phonautograms, Edouard-Leon Scott de Martinville (circa 1853-1861)
    2. "Take Me Out to the Ballgame," Edward Meeker, accompanied by the Edison Orchestra (1908)
    3. Cylinder Recordings of Ishi (1911-14)
    4. "Dark Was the Night, Cold Was the Ground," Blind Willie Johnson (1927)
    5. "It's the Girl," The Boswell Sisters with the Dorsey Brothers Orchestra (1931)
    6. "Mal Hombre," Lydia Mendoza (1934)
    7. "Tumbling Tumbleweeds," The Sons of the Pioneers (1934)
    8. "Talking Union," The Almanac Singers (1941)
    9. "Jazz at the Philharmonic," (July 2, 1944)
    10. "Pope Marcellus Mass" (Palestrina), The Roger Wagner Chorale (1951)
    11. "The Eagle Stirreth Her Nest," The Rev. C. L. Franklin (1953)
    12. "Tipitina," Professor Longhair (1953)
    13. "At Sunset," Mort Sahl (1955)
    14. Interviews with jazz musicians for the Voice of America, Willis Conover (1956)
    15. "The Music From 'Peter Gunn,'" Henry Mancini (1959)
    16. United Sacred Harp Musical Convention in Fyffe, Ala., field recordings by Alan Lomax and Shirley Collins (1959)
    17. "Blind Joe Death," John Fahey (1959, 1964, 1967)
    18. "Stand By Your Man," Tammy Wynette (1968)
    19. "Trout Mask Replica," Captain Beefheart and His Magic Band (1969)
    20. "Songs of the Humpback Whale" (1970)
    21. "Let's Stay Together," Al Green (1971)
    22. "Black Angels (Thirteen Images from the Dark Land)," George Crumb, CRI Recordings (1972)
    23. "Aja," Steely Dan (1977)
    24. "3 Feet High and Rising," De La Soul (1989)
    25. GOPAC strategy and instructional tapes (1986-1994)
    "Take Me Out To The Ballgame", the Rev. Al Green, and Steely Dan! Smartest decision to come out of Washington in years! Sorry if the video links look wonky.  Click on the title for the original story.

    Thursday, March 31, 2011

    NOW THAT'S What I'm Talking About!

    This is on mlb.com, the Official Site Of Major League Baseball right now.  Please note the standings in the National League Central.
     


     Yes, that would be the Cubs in FIRST and Cardinals in LAST.
    Thank you to The Commissioner Of Baseball.